Website analysis: NME.COM

a)HOW IS YOUR CHOSEN SITE STRUCTURED?
The website (which also comes in a USA-version which uses the same layout) uses a horizontal row of hyperlinks to the different sections of the website, some of these sections feature a 2nd row of hyperlinks underneath this navigation-bar that link to even more specific sub-sections.
Just above the main navigation bar we find the date, a link to the US-version of the website and a search field that allows users to search either the website or the web in general. The Op left is reserved for the (recognised) NME logo (Top-left is the first thing you see, after all) and the top right is filled by an ad-banner. The navigation bar helps users find what they want from the website fairly quickly, after all the whole point of hypertext is that it's selective, non-linear and enabling users to just go for the part that serve their needs without having to work their way though stuff they're not interested in.

The font page of NME.com features the latest updates from each section of the website, so the latest added news stories, the latest photos and videos added, the latest features, reviews, concerts announcements, blog-entries, etc. The front page also enables the user to log in (or sign up to) a SNS-type service called MyNME.

The bottom of the page features another navigation area, repeating the links in the top bar but also links to other websites run by the same publisher and to NME’s profiles on Myspace, Facebook, Twitter & Youtube.

These top and bottom navigation areas are the same on practically all pages of the website due to the use of a web-template. NME is a dynamic website as opposed to a static one as the website’s content is constantly updated.

b) WHAT IS IT ABOUT ON A CULTURAL LEVEL
The NME website clearly relies on the reputation, public image and heritage of the NME magazine. However, the website doesn't simply present itself as the web-presence of the magazine, but as the online home of NME as an institution in general. The publisher seems to be eager to expand the NME brand's values and reputation to mediums other than the magazine itself seeing as in recent years they have also launched an NME radio station and NME Television channel (both featured on the website with NME Radio being available online aswel). I would argue that this way they want to make the NME synonym with the type of music (alternative/indie) and associated culture it deals with. Obviously, the readers of the magazine and those familiar with the brand and familiar with the music and culture associated with it would be interested in the website and they appear to be the website's target audience. Young, somewhat well-educated, predominantly male. It uses the norms of the indie-culture and adresses the user appropiately, using somewhat specialist terms where required and expecting the user to know what they mean, thus expecting the users to have some basic knowledge about the subject. (Could be seen as a mild example of boundary maintenance? The process of keeping “those who don't belong in this group” out by using specialist terms they will not get. What do people think?)

Despite presenting itself as a somewhat “alternative” platform, the increase in interest from the general public in the indie genre means that it is now quite a lucrative business. And despite this “facade” it doesn't manage to hide the fact that it is in fact a commercial website. Not only NME's co-operation with other brands such as Shockwaves (for the awards) and quite often co-operating with music retailer HMV make this clear but the website also features quite a large amount of advertisments, some slightly more covert than others. For example, the 'store'-link in the top navigation bar appears to take the user to a sub-section of the nme.com but is actually hyperlink directly to a completely different website, an online shop. Also, an important feature of the website is the online concert-ticket store, which is featured not only in the “gigs & tickets” section of the navigation bar but is even featured on the front page. The “check availability” links in their own turn then take you directly to another website that sells concert tickets online, no doubt paying a commission to NME's publishers IPC Media. It is a clever way of making use of the way the NME brand has become associated with the musical genre itself. You can easily imagine somebody typing NME into google to find out where to get concert tickets to see their favourite band.

c)WHAT IS THE APPEAL FOR ITS USERS?
Obviously, because the website's brand and its particular subject seem so very much associated with each other it is an obvious starting point for those who are interested in the music and culture it deals with, but also for those who wish to find out more about it. The news stories on the website, which is solely related to indie music and associated popular culture and written by members of a dedication website-team, can be commented on by users, but no stories can be submitted so the website isn't an 'open' news source. A traditional news source instead then, which seems to be in line with the way IPC/NME aspire to display NME as the country's main media institution when it comes to indie/alternative popular culture. This will probably make the user, who is familiar with NME's reputation, think of the website as a reliable news source about the subject that can be trusted. But surely IPC/NME's commercial means must influence the site's news values and the way it applies gate-keeping when selecting which stories are covered (and how).

The website also offers a social networking type area where users can set up their own profiles, private message and discuss related subjects in the discussion forums provided, all this does seem to produce a type of online indie-community where the users can discuss aspects of it that may be too niche or specialist to be discussed on other more general music websites, even if the website is ultimately run by IPC Media/NME for commercial purposes. So I would imagine it could be assumed that the online community doesn't provide complete openness and freedom to the user.

Sadly Sadly SADLY, due to a fault in the website's system, I could not finish the registration-process in order to check out this interactive part of the website myself. I have been trying for several weeks now and even e-mailed the web team about it but it still doesn't seem to be working. Surely they must notice at some point that they don't have any new users registering to their website? Hmm.

Online lecture Word-file - Part 1: Digital vs. Analogue (The science bit)

http://mchome.lincoln.ac.uk/newmediacultures/WEEK%201%20online%20lecture.doc

This article/lecture's first main argument seems to function mainly as an introduction to the concept of "new media" and points out that in this unit "new media" basically refers to "digital media".

Digital, as opposed to analogue means that actual "stuff" is being translated to code. DIGITal is called that because it's made out of DIGITS. Whereas analgue data actually gets physically stored, be it by picture (on an old fashioned film roll) or ridges (on a gramaphone record.)

Digital is a much smaller/streamlined/FASTER and much more precise way of saving and sending files and data. The data is translated into a code made out of 1's and 0's and transferred to the other end where it gets translated back into actual stuff. Of course there can be glitches where the code doesn't arrive 100% correctly which can then lead into a file having a little mistake in it which can cause it to not work at all.

Most of all digital enables to send much more data in less space, if that makes sense at all.

For example: Analogue telly where the airwaves send the actual pictures can only broadcast 5 channels (and in some areas only 4) where as the digital freeview terrestial technology enables 30-ish channels to be sent through the airwaves because they are turned into code first. But in order to receive them you need equipment that can translate the code back into the actual channels. In this case the infamous freeview box we all love so much. But because the broadcast has been turned into a code first and the whole code is translated back to visual/sound the data arrives much clearer which is why digital usually has a sharper picture than analogue. However, sometimes some part of the code can't get picked up properly by the aerial which then causes little parts of missing data which results in those little squary bits on the screen we see sometimes or the picture freezing for a moment. Luckily the box arrives data all the time so the error usually doesn't last very long whereas an error in the sending of one particular file could result in the whole thing not working.

Because things like the internet and mobile communications require a lot of data to be sent continuesly, there is no way things like the internet (esp. broadband!) could've worked if it was based on analogue technology. So yeah, it pretty much can be said that we owe a lot to digital technology and that the arrival of digital technology has changed our daily lives a lot, considering how many things we use every day (mobile/tv/internet, or even mobile TV though the internet!!) wouldn't have existed otherwise!

More to come soon! Esp. more things of how it affects us and stuff.